Simon Ford
-
From censorship to John Latham and back again…
- 1960s
- 557087 Seattle
- 60s
- Alex Trocchi
- Alexander Trocchi
- APG
- Art and Culture
- Artists Placement Group
- Arts Journal
- Barry Flanagan
- beat generation
- Better Books
- black beauties
- black bombers
- Bluecoat Gallery
- Bow Street Magistrates Court
- cannabis
- central London
- charge
- Clement Greenberg
- conceptual art
- Destruction In Art Symposium
- Destruction in Art: Destroy to Create
- drug smuggling
- Durophet
- Finch College
- Finch College Museum of Art
- Fluxus
- forgery
- Francis Morland
- heroin
- Jeff Sawtell
- Jeffrey Sawtell
- John Latham
- John Lennon
- John Perreault
- junkies
- Liverpool
- London
- LSD
- Lucy Lippard
- MOMA
- Morning Star
- Museum of Modern Art
- New York
- New York City
- New York Museum of Modern Art
- Norwich
- Norwich School of Art
- Number 7
- NYC
- Paula Cooper Gallery
- pot
- purple hearts
- Seattle
- Seattle Art Museum
- Sheila Malcham
- Simon Ford
- sixties
- Soho
- St. Martin's School of Art
- Still and Chew
- The Art Forum
- UK
- USA
- weed
- Yoko Ono
-
Ray Johnson opening at Raven Row
- 1980s
- 6a
- 80s
- Adrian Glew
- Alastair Brotchie
- Alex Sainsbury
- Alice Motard
- All Saints
- Andy Warhol
- art world insiders
- Artillery Lane
- Ben Borthwick
- Bishopsgate
- Camden Arts Centre
- Charles Saatchi
- City of London
- Clive Phillpot
- collage
- David Jarvis
- Dorset Street
- eighties
- Five Years Gallery
- Fluxus
- Hackney
- Hawksmoor
- Hazel Jones
- How To Draw A Bunny
- Huguenot silk merchants
- Jack The Ripper
- Jane Rollo
- Janette Parris
- Jemima Stehli
- Jenni Lomax
- John W. Walter
- Jonathan Allen
- Kodwo Eshun
- Liverpool Street station
- London
- mail art
- Mark Pawson
- Mark Waller
- Mary Jane Kelly
- Mary Kelly
- Mike Leigh
- Nicholas Serota
- Raven Row
- Ray Johnson
- RCA
- Richard Crow
- rococo plasterwork
- Royal College of Art
- Rut Blees Luxemburg
- S. E. Barnet
- Simon Ford
- Situationists
- Spitalfields
- Stefan Szczelkun
- Stephanie MacDonald
- Tate
- Tom Emerson